
COLLECTION


White Zombie
Victor Halperin (1932)
A young woman is lured into a dark ritual on a remote Haitian plantation, where ancient practices blur the line between life and death. Under the spell of a malevolent master, she becomes the object of control, obsession, and supernatural possession. Steeped in exotic atmosphere and gothic dread, this eerie tale introduced the zombie to the cinematic imagination.

Flash Gordon -Serial-
Frederick Stephani & Ray Taylor (1936)
In this thrilling sci-fi adventure, Flash Gordon, a daring polo player, is unexpectedly thrown into a fight for Earth's survival. Alongside his companions, Dale Arden and Dr. Hans Zarkov, Flash is transported to the planet Mongo, where they face the tyrannical ruler, Ming the Merciless. As they navigate the dangers of this strange new world, Flash must rally unlikely allies from different kingdoms to overthrow Ming's brutal regime and save Earth from destruction. This 1936 serial is celebrated for its imaginative settings, exciting action, and heroic characters.

Detour
Edgar G. Ulmer (1945)
A down-on-his-luck pianist hitchhiking across the country becomes entangled in a deadly web of mistaken identity, manipulation, and moral collapse. What begins as a simple journey spirals into noir-infused fatalism, marked by a chilling femme fatale and a mounting sense of doom. Filmed on a shoestring budget, this lean, shadowy thriller has become a cult classic for its raw tension and existential grit.

The Amazing Mr. X
Bernard Vorhaus (1948)
A young widow, Christine Faber, begins to believe she is being contacted by the spirit of her deceased husband. She seeks the help of a mysterious psychic, Alexis, who seems to possess uncanny knowledge about her life. As Christine becomes more involved with Alexis, her sister and a skeptical lawyer uncover shocking truths about the supposed medium and his true intentions. Directed by Bernard Vorhaus, this 1948 film is a blend of film noir and supernatural thriller, known for its eerie atmosphere and suspenseful plot.

The Hitch-Hiker
Ida Lupino (1953)
Two friends on a road trip pick up a hitchhiker—only to realize too late that he is a deranged killer. Held hostage in the desolate desert, they face a psychological and physical ordeal with no easy way out. Taut, minimalist, and relentless, this suspenseful noir was directed by one of the few women in 1950s Hollywood and remains a striking example of true-crime storytelling stripped to its rawest form.

The Giant Claw
Fred F. Sears (1957)
When a giant bird from outer space descends upon Earth, it wreaks havoc and destruction across North America. The bird's immense size and near-invulnerability make it a formidable foe, as it attacks cities and military installations. A scientist and his team must devise a plan to stop the monstrous creature before it can cause further devastation. Directed by Fred F. Sears, this 1957 sci-fi monster movie is known for its campy special effects and has achieved cult status for its entertainingly over-the-top premise.

She Gods of Shark Reef
Roger Corman (1958)
Two fugitive brothers, Chris and Lee, are shipwrecked on a remote island inhabited exclusively by women. While one of them falls in love with one of the mysterious islanders, the other desperately seeks a way to escape. However, they soon discover that the island hides dark secrets, including ancient rituals and a feared sea deity. Directed by Roger Corman, this 1958 film blends adventure, exoticism, and a haunting mythical atmosphere in a story filled with tension and mystery.

A Bucket of Blood
Roger Corman (1959)
In the beatnik culture of 1950s Los Angeles, a socially awkward busboy named Walter Paisley desperately yearns to be part of the artistic elite. After accidentally killing a cat and covering it in clay to pass off as a sculpture, he gains unexpected fame. Encouraged by the praise, Walter resorts to more sinister means to create his "art," leading to a macabre series of events. Directed by Roger Corman, this 1959 dark comedy satirizes the art world and remains a cult classic for its blend of humor and horror.

The Bat
Crane Wilbur (1959)
A renowned mystery writer rents a secluded mansion with a dark past, where a series of murders attributed to a masked killer known as "The Bat" once took place. When new murders begin occurring, the writer, along with her houseguests, must unravel the mystery and identify the killer before they become the next victims. Directed by Crane Wilbur and starring Vincent Price and Agnes Moorehead, this 1959 thriller is celebrated for its suspenseful atmosphere and classic whodunit elements.

Teenagers from Outer Space
Tom Graeff (1959)
A group of alien teenagers land on Earth with plans to use the planet as a breeding ground for their gargantuan lobster-like creatures. One of the aliens, Derek, rebels against his mission after befriending a human girl and learning about Earth's inhabitants. As he tries to stop his fellow aliens from carrying out their deadly plan, he faces off against the ruthless leader, Thor. Directed by Tom Graeff, this 1959 sci-fi film is a cult favorite, known for its low-budget charm and imaginative storyline.

The Giant Gila Monster
Ray Kellogg (1959)
In a small Texas town, a series of mysterious car accidents and disappearances are linked to a giant Gila monster that has been terrorizing the countryside. As the monster wreaks havoc, a young mechanic and aspiring rock 'n' roll singer takes it upon himself to stop the creature and save his community. Directed by Ray Kellogg, this 1959 sci-fi horror film is a quintessential example of mid-century monster movies, celebrated for its campy special effects and nostalgic charm.

Plan 9 from Outer Space
Ed Wood (1959)
Aliens invade Earth with a scheme to resurrect the dead and create an unstoppable army of zombies and vampires. Their goal is to prevent humanity from developing a weapon that could destroy the universe. As chaos ensues, a group of Earthlings must band together to thwart the extraterrestrial threat. Directed by Ed Wood, this 1959 film is often hailed as one of the best "so bad it's good" movies, gaining a cult following for its unique charm and earnestness.

Battle Beyond the Sun
Mikhail Karzhukov and Aleksandr Kozyr (1959)
In a dystopian future, two rival nations launch space expeditions to colonize Mars. Facing extraterrestrial dangers, the missions must resolve their differences to survive. This Soviet film, co-directed by Mikhail Karzhukov and Aleksandr Kozyr, is known for its special effects and early depiction of the space race.

House on Haunted Hill
William Castle (1959)
Millionaire Frederick Loren invites five guests to spend a night in a supposedly haunted mansion, promising each of them $10,000 if they can endure the entire night. As the night progresses, the guests encounter a series of terrifying and unexplained phenomena, leading them to question whether the house is truly haunted or if there is a more sinister plot at play. Directed by William Castle, this 1959 classic is celebrated for its atmospheric suspense and inventive scares.

The Little Shop of Horrors
Roger Corman (1960)
In this dark comedy horror film, a clumsy young florist's assistant nurtures a strange and unusual plant that he discovers has a taste for human blood. As the plant, named Audrey Jr., grows, it begins to demand more and more, leading to a series of bizarre and comical events. Directed by Roger Corman, this 1960 film has become a beloved cult classic, known for its quirky humor and memorable characters.

The Amazing Transparent Man
Edgar G. Ulmer (1960)
A criminal mastermind breaks a notorious safecracker out of prison with a daring plan to use a stolen experimental device that can render a person invisible. The duo aims to pull off a series of high-stakes robberies using the device, but they soon discover that the side effects of invisibility are more dangerous than they anticipated. Directed by Edgar G. Ulmer, this 1960 sci-fi thriller is noted for its unique premise and suspenseful execution.

First Spaceship on Venus
Kurt Maetzig (1960)
A mysterious artifact found in the desert reveals clues about a threat originating from Venus. An international expedition sets off to the planet to uncover the truth, only to find something far more unsettling: the remnants of an extinct civilization and a dire warning. Directed by Kurt Maetzig, this 1960 East German–Polish co-production stands out for its serious, science-driven approach to science fiction, with striking visuals and a deeply pacifist message.

Battle of the Worlds
Antonio Margheriti (1961)
A scientist discovers a planet on a collision course with Earth. Further investigation reveals the planet is actually an alien spacecraft with hostile intentions. This 1961 Italian sci-fi film, directed by Antonio Margheriti, is notable for its innovative special effects.

The Phantom Planet
William Marshall (1961)
During a space mission, astronaut Frank Chapman is pulled onto a tiny planet invisible to Earth’s radar. There, he discovers a miniature civilization trapped in a technological and philosophical conflict. As he adapts to his new environment—and size—Frank becomes entangled in a struggle with interplanetary consequences. Directed by William Marshall, this 1961 film is a low-budget science fiction gem, known for its introspective tone and imaginative storytelling.

Carnival of Souls
Herk Harvey (1962)
After a traumatic car accident, a woman moves to a new town to start fresh, only to be haunted by strange visions and an eerie presence that seems to follow her wherever she goes. As she struggles to maintain her sanity, she is drawn to an abandoned carnival that holds the key to her mysterious plight. Directed by Herk Harvey, this 1962 cult classic is renowned for its haunting atmosphere and psychological horror.

The Brain That Wouldn't Die
Joseph Green (1962)
After a horrific car accident, Dr. Bill Cortner manages to save his fiancée's severed head and keeps it alive in a laboratory. Obsessed with finding her a new body, he begins a macabre search for potential victims. Meanwhile, the disembodied head, now telepathic, begins to plot revenge against the doctor. Directed by Joseph Green, this 1962 sci-fi horror film is known for its campy style and unsettling premise.

The Terror
Roger Corman (1963)
Set in 19th century France, a young officer in Napoleon's army, Lt. Andre Duvalier, becomes separated from his regiment and encounters a mysterious woman named Helene. She leads him to a decrepit castle ruled by the enigmatic Baron Von Leppe, who seems to be haunted by the ghost of his deceased wife. As Duvalier delves deeper into the castle's dark secrets, he uncovers a twisted tale of betrayal and revenge. Directed by Roger Corman, this 1963 gothic horror film stars Boris Karloff and a young Jack Nicholson, offering a blend of eerie atmosphere and classic horror elements.

Dementia 13
Francis Ford Coppola (1963)
After the sudden death of her husband, a scheming widow travels to the family estate in Ireland, hoping to secure her inheritance. However, she soon finds herself entangled in a web of dark secrets, madness, and murder. As the family gathers for an annual memorial, a mysterious killer begins to stalk the estate, revealing long-buried truths. Directed by Francis Ford Coppola, this 1963 horror-thriller is notable for its atmospheric tension and psychological depth.

The Last Man on Earth
Ubaldo Ragona, Sidney Salkow (1964)
In a post-apocalyptic world, Dr. Robert Morgan is the last known survivor of a global pandemic that has turned humanity into vampire-like creatures. By day, he hunts the infected and searches for a cure, while by night he barricades himself in his home to survive their attacks. As he struggles with loneliness and despair, he discovers that he may not be as alone as he thought. Directed by Ubaldo Ragona and Sidney Salkow, this 1964 film is an adaptation of Richard Matheson's novel "I Am Legend," exploring themes of isolation and survival.

Night of the Living Dead
George A. Romero (1968)
A group of people take refuge in a deserted farmhouse in rural Pennsylvania as the dead inexplicably return to life and begin to attack the living. As the night progresses, tensions rise within the group, and they must overcome their differences to survive the relentless onslaught of zombies. Directed by George A. Romero, this 1968 classic redefined the horror genre and introduced the world to the modern concept of the zombie apocalypse.

Destroy all Planets
Noriaki Yuasa (1968)
Gamera, the giant flying turtle, returns to battle alien invaders known as the Viras, who plan to conquer Earth. As Gamera fights the invaders, two young humans get caught in the conflict. Directed by Noriaki Yuasa in 1968, this installment of the Gamera series is known for its exciting battles and special effects.

End of the World
John Hayes (1977)
A group of scientists discovers that Earth faces an imminent catastrophe after intercepting a series of extraterrestrial signals. As they try to warn the world, they face skepticism and obstacles. Directed by John Hayes, this 1977 film blends science fiction and suspense in a narrative about humanity's survival.